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Showing posts with label Spotlight. Show all posts
Showing posts with label Spotlight. Show all posts

Sunday, February 28, 2016

The 88th Annual Academy Awards: Results and Reactions

Will "Spotlight" Get the Spotlight or Will the Academy Revere "The Revenant"?

By Chris Sabga


Before the Show

Chris Rock is tonight's host. I am hoping he's hilarious and skewers the hell out of everyone. He was probably the best of the hosts we've seen in the last decade. Let's hope that streak continues tonight.

Am I horrible for wanting him to find some way to offend Sean Penn again? Penn's sour, humorless reaction to Rock's Jude Law joke was hysterical to me. Then again, Jude Law's career did take somewhat of a hit after that.

I'm here with both Silver Screen Sisters and a delicious plate of Chinese food – yum, yum!

The Red Carpet

Robin Roberts looks nice. That's all I have.

The Oscar Ceremony

Full results are listed at the end.

Chris Rock's opening monologue is great. I loved his Rocky and Paul Giamatti jokes. Comparing Rocky to science fiction because white athletes are better than black athletes – brilliant!

Here comes Emily Blunt and "Charize" Theron! A "Travolta moment" early in the evening for Chris Rock. Intentional?

Best Original Screenplay: Spotlight

Could this be an early precursor to Best Picture? We shall see.

Ryan Gosling and Russell Crowe are awesome together.

Gosling: "We have two Academy Awards between us." (Crowe has both. Ha!)

Best Adapted Screenplay: The Big Short

Nice to see someone acknowledge the book and thank the original writer. I could have done without the bizarre political rant afterward, but I guess it makes some sense considering the subject matter of the movie.

The clips interspersing black actors like Whoopi Goldberg, Chris Rock, and especially Tracy Morgan into Oscar nominated films were a riot!

Henry Cavill is out now. Is it really pronounced Cah-vul?

Best Supporting Actress: Alicia Vikander, The Danish Girl

Silver Screen Sister 1 predicted Brie Larson – who wasn't in this category.

Before the winner was announced, Silver Screen Sister 2 went on a rant about Kate Winslet. "Anyone could've played that!" I disagree and adored Kate's performance, but she is streeping up there in the amount of nominations she's racked up. Yes, I meant to type streeping instead of creeping.

Alicia Vikander's co-star Eddie Redmayne appeared rather touched by her speech. "She seems very humble," according to Silver Screen Sister 2.

Chris Rock: "Now we're black" (pretending to trip over the word "back") – cute.

Best Costume Design: Mad Max: Fury Road

Jenny Beavan's list of people to thank – shown on a scrolling sidebar on the bottom of the screen – is enormous. I'm glad they're handling it this way, allowing her to make a more heartfelt, personal speech. Of course, music just had to cut her off. How rude!

Best Production Design: Mad Max: Fury Road

"The first Oscar for diversity." Nice!

Best Makeup and Hairstyling: Mad Max: Fury Road

Three straight for "Mad Max." Will this be it?

I hate when one winner interrupts another, especially at the end when there's barely any time left to speak.

Best Cinematography: The Revenant

A nice speech overtaken by emotion.

Best Film Editing: Mad Max: Fury Road

"Mad Max" wins its 4th Academy Award tonight – and the music cuts off the speaker again.

A serious, stone-faced Angela Bassett with a satirical Black History Month tribute to Will Smith – amazing!

Best Sound Editing: Mad Max: Fury Road

#5 for "Max."

Silver Screen Sister 2: "Why are they putting 'Mad Max' on the balcony if it's going to win everything?"

Best Sound Mixing: Mad Max: Fury Road

And here comes #6.

"Come on!" screamed Silver Screen Sister 2. "I don't even know what the movie is about. Is it a continuation?"

Best Visual Effects: Ex Machina

And the "Mad Max" streak is broken!

In poor taste: A close-up of actors looking bored during the speech, and only one of the four winners being allowed to speak.

Even a Star Wars segment couldn't cheer up a livid Silver Screen Sister 2: "How much time has passed? It's 10 o'clock already?! They've given out one good award. I hope they speed it up now."

Chris Rock and his daughters selling Girl Scout cookies to the billionaire actors in the audience – I love it!

Best Animated Short Film: Bear Story

I don't think I picked this in my Oscar pool. Damn it!

The first award for Chile. The Oscar-recipients feel so honored. I'm happy for them.

Best Animated Feature Film: Inside Out

"Regardless of a gold man, we get to make stuff!" Can't help but love that kind of passion.

"I have to see it!" begs Silver Screen Sister 2 about "Inside Out."

Funnyman Kevin Hart with a surprisingly serious and superb speech about black actors and their craft.

The Weeknd – that's the singer's name, apparently – "has the most creative hairdo on the planet," says Silver Screen Sister 1.

Ten awards left.

Silver Screen Sister 2: "There's an hour left" – so she thinks – "and they haven't given out one decent award yet! Thank God for Facebook."

The Silver Screen Sisters are more entertaining than this ceremony. Host Chris Rock has had some fun moments, but they're drowned out by the sheer length of this show.

Rock asking random black moviegoers about the hoity toity Oscar-nominated movies is a hoot! "Spotlight? What the hell is that?!"

"There's so much talent out there – of all races," says another fan. Amen!

Best Supporting Actor: Mark Rylance, Bridge of Spies

A major upset.

"That's cruel!" laments Silver Screen Sister 2. "There are two Marks."

She has a point. I was predicting that the other Mark – Ruffalo – would get the upset over Sylvester Stallone, who many thought was a shoo-in.

Louis CK gives a wonderful and amusing speech about the importance of the Best Documentary Short Subject category.

Best Documentary Short Subject: A Girl in the River: The Price of Forgiveness

"That's the best speech so far!" raves Silver Screen Sister 2. "It has some meaning to it."

Best Documentary Feature: Amy

Eight awards left – and with that, Silver Screen Sister 2 has gotten up and gone home.

Chris Rock with a major announcement: Over $65,000 in Girl Scout cookies sold. Not too shabby!

In Memoriam was touching, but where were Abe Vigoda and Roddy Piper? If "The Godfather" and "They Live" aren't good enough to make this list, what the hell is?

There are still eight awards left. I say this every year, but the Oscars are too damn long!

"They deliberately make it this long," Silver Screen Sister 1 points out. "What could they cut out?" I wonder. Then she lists a bunch of pointless skits.

Best Live Action Short Film: Stutterer

Best Foreign Language Film is next. Am I horrible for hoping that John Travolta would announce these nominees?

Best Foreign Language Film: Son of Saul

I'm so tired that I barely recognized Vice President Joe Biden. His speech decrying sexual abuse seems a hell of a lot more important to me than Will Smith and Jade Pinkett-Smith boycotting the Oscars. While there is certainly room for improvement when it comes to Hollywood and diversity, I do think there has been encouraging progress over the past ten years.

Best Original Score: The Hateful Eight

Best Original Song: "Writing's on the Wall" – Spectre

"No openly gay man has ever won an Oscar." Dustin Lance Black won it a few years ago for "Milk."

Sacha Baron Cohen is great!

Only four awards left. "I mean, that's another two hours, really," Silver Screen Sister 1 quipped.

Best Director: Alejandro González Iñárritu, The Revenant

Iñárritu wins this Oscar for the second year in a row, and they still try to cut him off with music – shameful! I know the show is already too long, but come on.

"They've been cutting everybody off with music," Silver Screen Sister 1 rightly notices.

Chris Rock: "It's late. It's infomercial late."

"That child is going to be traumatized for something that didn't even happen in his life!" Silver Screen Sister 1 says about "Joy's" husband and wife shouting scene in which a baby is held and shaken.

Best Actress: Brie Larson, Room

Nice of her to thank the average Joe moviegoers who paid money for a ticket to see her film. The fans are important too, and it seems that Hollywood sometimes forgets that.

Julianne Moore about "The Danish Girl": "One of the first people to undergo gender confirmation surgery." I thought that was a slip of the tongue, but Dr. Google says it's a legitimate phrase.

Best Actor: Leonardo DiCaprio, The Revenant

Silver Screen Sister 2 just texted me a million clapping emojis. She's obviously very happy with this result.

Leonardo DiCaprio's climate change spiel might have been more persuasive if he wasn't smirking throughout it.

Then again, another text from Silver Screen Sister 2: "That speech was worth the prior four hours of drivel."

Leo really is the king of the world!

Best Picture: Spotlight

Most of the experts pegged "The Revenant" but I had a feeling "Spotlight" would win, so I went against the grain and picked it in the Oscar pool I'm in. Congratulations!

Full Results

Best Picture: Spotlight

Best Actor: Leonardo DiCaprio, The Revenant

Best Actress: Brie Larson, Room

Best Supporting Actor: Mark Rylance, Bridge of Spies

Best Supporting Actress: Alicia Vikander, The Danish Girl

Best Director: Alejandro González Iñárritu, The Revenant

Best Adapted Screenplay: The Big Short

Best Original Screenplay: Spotlight

Best Animated Feature Film: Inside Out

Best Cinematography: The Revenant

Best Documentary Feature: Amy

Best Documentary Short Subject: A Girl in the River: The Price of Forgiveness

Best Film Editing: Mad Max: Fury Road

Best Foreign Language Film: Son of Saul

Best Makeup and Hairstyling: Mad Max: Fury Road

Best Original Score: The Hateful Eight

Best Original Song: "Writing's on the Wall" – Spectre

Best Production Design: Mad Max: Fury Road

Best Costume Design: Mad Max: Fury Road

Best Live Action Short Film: Stutterer

Best Animated Short Film: Bear Story

Best Visual Effects: Ex Machina

Best Sound Editing: Mad Max: Fury Road

Best Sound Mixing: Mad Max: Fury Road

Thursday, January 14, 2016

The 88th Annual Academy Awards: Nominations and Analysis

Thoughts, Snubs, and Probably Wrong Predictions

By Chris Sabga




With the news breaking this morning that Alan Rickman has died of cancer at the age of 69, I'm not really in the mood to look through the Oscar nominations. It doesn't help that I'm completely bored with the Academy Awards, as I wrote a mere few days ago. The only reason I'm even bothering with this right now is because I wrote about the Oscar nominations last year and the year before and...well, you get the idea. So, in the interest of OCD, I have to continue the pattern this year.

Here are my views (probably more abbreviated this year than usual), broken down into three categories.

Thoughts: Just my general take on the various nominations.

Snubs: What I feel got left out. I knew certain movies wouldn't make it to the Oscars, but that doesn't mean I can't personally champion them myself.

Early (and Probably Wrong) Prediction: Don't make your Oscar pool picks based on my thoughts.

And the Oscar goes to...

Best Picture

The Big Short
Bridge of Spies
Brooklyn
Mad Max: Fury Road
The Martian
The Revenant
Room
Spotlight

Thoughts: I'm surprised to see "Mad Max" on this list. It has been widely acclaimed by both critics and audiences, but action films are usually shunned by the sometimes snooty Oscars.

Snubs: Because I think the Academy should automatically love the movies I love, I'm going to say "Mr. Holmes," "The Intern," "Predestination," and "Steve Jobs," because why not. And I'm assuming "Straight Outta Compton," "Ex Machina," and "Sicario" will end up on several of these lists as well.

Early (and Probably Wrong) Prediction: "The Revenant" has the most nominations this year.

Best Actor

Bryan Cranston, Trumbo
Matt Damon, The Martian
Leonardo DiCaprio, The Revenant
Michael Fassbender, Steve Jobs
Eddie Redmayne, The Danish Girl

Thoughts: Maybe I shouldn't be, but I'm somewhat surprised to see Michael Fassbender here, even though "Steve Jobs" was a notorious flop at the box office.

Snubs: As Harvey Weinstein pointed out, no love for Ian McKellen in "Mr. Holmes." I haven't seen "Concussion" yet, but Will Smith's acting was incredible in the trailer.

Early (and Probably Wrong) Prediction: This has to be Leo's year – right?

Best Actress

Cate Blanchett, Carol
Brie Larson, Room
Jennifer Lawrence, Joy
Charlotte Rampling, 45 Years
Saoirse Ronan, Brooklyn

Thoughts: Is Saoirse Ronan a surprise, or was she expected? I'm honestly not sure.

Snubs: Helen Mirren was great in "The Woman in Gold." Sarah Snook was amazing in "Predestination." I liked Anne Hathaway in "The Intern" – but Oscar never shines a spotlight on such light, breezy, enjoyable performances. Women (and men) have to suffer for their art to gain recognition by the Academy.

Early (and Probably Wrong) Prediction: Brie Larson, who has been gaining recognition since her great performance in the powerful but problematic "Short Term 12."

Best Supporting Actor

Christian Bale, The Big Short
Tom Hardy, The Revenant
Mark Ruffalo, Spotlight
Mark Rylance, Bridge of Spies
Sylvester Stallone, Creed

Thoughts: Always glad to see Sly take the Oscar stage.

Snubs: Little Milo Parker was phenomenal in "Mr. Holmes." I realize it was more of a lead role, but since kids aren't always seen as real people, he probably would've been bounced down to Supporting anyway. Ryan Reynolds' performance in "The Woman in Gold" was underrated, and he went through the type of physical transformation Oscar usually loves. Robert De Niro was terrific in "The Intern" but that's not the type of performance or movie that the Academy tends to reward.

Early (and Probably Wrong) Prediction: Sylvester Stallone or Tom Hardy.

Best Supporting Actress

Jennifer Jason Leigh, The Hateful Eight
Rooney Mara, Carol
Rachel McAdams, Spotlight
Alicia Vikander, The Danish Girl
Kate Winslet, Steve Jobs

Thoughts: I wasn't sure Kate would make it, but I'm glad she did. Her ascent as the Academy's "modern Meryl" continues.

Snubs: Probably.

Early (and Probably Wrong) Prediction: Kate Winslet. Hey, she made it this far already!

Best Director

Adam McKay, The Big Short
George Miller, Mad Max: Fury Road
Alejandro González Iñárritu, The Revenant
Lenny Abrahamson, Room
Tom McCarthy, Spotlight

Thoughts: Can Alejandro González Iñárritu win for a second year in a row?

Snubs: Maybe Danny Boyle for "Steve Jobs" – not that anyone was expecting too much Oscar love for that movie.

Early (and Probably Wrong) Prediction: I'll be bold and say Iñárritu gets it again.

Best Adapted Screenplay

The Big Short
Brooklyn
Carol
The Martian
Room

Thoughts: See below.

Snubs: I'm assuming "Steve Jobs" would count as as an Adapted screenplay because it was inspired by several sources. But if everyone in the Academy was as confused as I am, that could be why it's not here. Or maybe everyone is taking Aaron Sorkin's great writing for granted at this point. "Mr. Holmes" realistically had no chance in hell to begin with, but I'll list it anyway. "Predestination" somehow took a story that was only a few pages along (Robert A. Heinlein's "All You Zombies") and turned it into a two-hour film, all while remaining true to the source material. That's impressive to me!

Early (and Probably Wrong) Prediction: The Big Short.

Best Original Screenplay

Bridge of Spies
Ex Machina
Inside Out
Spotlight
Straight Outta Compton

Thoughts: "Straight Outta Compton" gets its sole nomination in this category. Has an animated film ("Inside Out") ever been nominated for Best Original Screenplay before?

Snubs: "What We Do in the Shadows" was pretty clever, but good luck getting a vampire movie nominated for anything!

Early (and Probably Wrong) Prediction: Could "Compton" win its only nomination? Nah. I'm guessing the spotlight will go to … drumroll … "Spotlight."
_____

Other thoughts: I definitely sound like a broken record about "Steve Jobs" at this point, but I'm wondering if it deserved a Cinematography nomination too. The film somehow managed to turn sterile corporate environments and bland backstage areas into beautiful setpieces. As I wrote in my review: For a film that essentially consists of nonstop dialogue and people walking into different rooms, it is subtly stylish. The three time periods are each filmed differently: 1984 is grainy with a dark and drab color scheme, 1988 feels more open with a richer palette but retains a traditional film look, and 2008 is shot digitally and looks clear and bright. There are also other visual flourishes, such as a nighttime board meeting with rain pouring behind a glass window – a dazzling backdrop. 
_____

The rest of the categories and nominees are:

Best Animated Feature Film

Anomalisa
Boy and the World
Inside Out
Shaun the Sheep Movie
When Marnie Was There

Best Cinematography

Carol
The Hateful Eight
Mad Max: Fury Road
The Revenant
Sicario

Best Documentary Feature

Amy
Cartel Land
The Look of Silence
What Happened, Miss Simone?
Winter on Fire: Ukraine's Fight for Freedom

Best Documentary Short Subject

Body Team 12
Chau, Beyond the Lines
Claude Lanzmann: Spectres of the Shoah
A Girl in the River: The Price of Forgiveness
Last Day of Freedom

Best Film Editing

The Big Short
Mad Max: Fury Road
The Revenant
Spotlight
Star Wars: The Force Awakens

Best Foreign Language Film

Embrace of the Serpent
Mustang
Son of Saul
Theeb
A War

Best Makeup and Hairstyling

Mad Max: Fury Road
The 100-Year Old Man Who Climbed Out a Window and Disappeared
The Revenant

Best Original Score

Bridge of Spies
Carol
The Hateful Eight
Sicario
Star Wars: The Force Awakens

Best Original Song

"Earned It"
"Manta Ray"
"Simple Song No. 3"
"Till It Happens to You"
"Writing's on the Wall"

Best Production Design

Bridge of Spies
The Danish Girl
Mad Max: Fury Road
The Martian
The Revenant

Best Costume Design

Carol
Cinderella
The Danish Girl
Mad Max: Fury Road
The Revenant

Best Live Action Short Film

Ave Maria
Day One
Everything Will Be Okay (Alles Wird Gut)
Shok
Stutterer

Best Animated Short Film

Bear Story
Prologue
Sanjay's Super Team
We Can't Live Without Cosmos
World of Tomorrow

Best Visual Effects

Ex Machina
Mad Max: Fury Road
The Martian
The Revenant
Star Wars: The Force Awakens

Best Sound Editing

Mad Max: Fury Road
The Martian
The Revenant
Sicario
Star Wars: The Force Awakens

Best Sound Mixing

Bridge of Spies
Mad Max: Fury Road
The Martian
The Revenant
Star Wars: The Force Awakens