Seeking Out Cinema's Hidden Gems

Reviews - All | Reviews - Silver Screen Surprises | Features | Contact

Showing posts with label Robert Downey Jr.. Show all posts
Showing posts with label Robert Downey Jr.. Show all posts

Wednesday, October 15, 2014

Review: The Judge

Downey and Duvall – Court is Now in Session

By Chris Sabga



Release Date: October 10, 2014 – U.S.
Rating: R
Genre: Drama
Running Time: 141 minutes
Director: David Dobkin
Writers: Nick Schenk, Bill Dubuque, 
David Dobkin
Cast: Robert Downey Jr., Robert Duvall, 
Vera Farmiga, Billy Bob Thornton, 
Vincent D'Onofrio, Jeremy Strong, 
Dax Shepard, Leighton Meester, 
Ken Howard, Emma Tremblay, 
Balthazar Getty, David Krumholtz, 
Grace Zabriskie, Denis O'Hare, 
Sarah Lancaster   


Watching Robert Downey Jr. and Robert Duvall – two absolute masters of the acting craft – go back and forth would be worth the price of admission alone, but "The Judge" is so much more than that. It's a genuinely great movie. At two hours and twenty-one minutes, it's a long movie too. It earns its length though. Despite its extended running time, it's tightly scripted. Every conversation, every line, means something and leads somewhere. That might be the most impressive feat of all.

Hank Palmer (Downey Jr.) is a successful lawyer. He's also an unpleasant man – a trait he openly admits to and almost seems to take pride in. He hasn't seen his family in years, but when his mother dies, he's finally forced to go back home. His very young daughter (Emma Tremblay) wonders if his father – her grandfather – is dead too. "Just dead to me," he explains. Who speaks that way to a little girl?

When we finally get to meet the judge, Joseph Palmer (Duvall), we can clearly see that the apple didn't fall far from the tree. The elder Palmer isn't exactly "unpleasant" like his son, but he is stubborn and has a definite sense of right and wrong. There's no arguing with this man when it comes to the law and the very best way to apply it. So, of course, he ends up being accused of murder.

A local man, Mark Blackwell (Mark Kiely), is found rotting on the road. Judge Palmer's car has Blackwell's blood on it. The judge's possible motive: Blackwell came through his courtroom before, and it didn't end well.

The judge always been self-righteous about the law, but would he take it into his own hands to get justice at any cost? The opposing counsel, Dwight Dickham (Billy Bob Thornton), is ready to argue just that.

The elder Palmer initially hires a well-meaning but inexperienced local lawyer (Dax Shepard) instead of his own flesh and blood. But I don't think it's a spoiler to mention that the son will, of course, eventually have to step in and defend his estranged father in court – because that is, after all, the basic premise of "The Judge."

The scenes between Downey and Shepard are some of the best and funniest in the film. Instead of the adversarial relationship you would expect from their characters, there's almost a sweetness to their scenes as the more experienced Downey gives Shepard tips on how to handle stress before a big case.

The cast, as you can see, is tremendous – and I haven't even gotten to some of the main players yet. There are two more members of the Palmer family, Glen and Dale (played by Vincent D'Onofrio and Jeremy Strong, respectively), who are Hank's brothers and the judge's sons. Glen is old, disheveled, and rough around the edges, but he's generally a good guy. When we first see Dale, it's at a funeral home – and he's holding a camera, which seems incredibly inappropriate. I was under the impression that he was a rude reporter who had pushed his way in – until Hank gives him a big hug. As it turns out, Dale has a mental impairment of some sort – or possibly a form of autism – but it's never really specified.

In any other movie, a character with a "disability" would be treated like the second coming of Baby Jesus – someone who can say and do no wrong – but that's thankfully not the case here. To this film's credit, Dale's family reacts realistically to him. For example, during one tense moment, Glen dismissively comments on Dale's obsession with video cameras by telling him to "film the vending machine."

Hank – Downey's character – also runs into an old friend, Samantha (Vera Farmiga), whose prominent tattoo seems to hint at a wilder past. At first, I found it almost jarring that a prim, proper, uptight lawyer like Hank would ever associate with the tattooed girl from the diner. But that's what makes "The Judge's" script so smart – even the smallest details, such as a tattoo, tell a larger story.

The acting is amazing all around, but this is primarily a showcase for Robert Downey Jr. and Robert Duvall. Both of them wholeheartedly deserve Oscar nominations – and it wouldn't surprise me if Duvall, at least, ends up with one. Their best scene together – in a bathroom – is unimaginably tragic, but it also manages to be hysterically funny at the same time. Life is often like that. In lesser hands, a moment of that magnitude would be almost impossible to pull off. Old pros like Downey and Duvall make it look easy.

The title of "The Judge" refers literally to Duvall's Judge Joseph Palmer, but it also signifies every other character in some way – because they're all judging and being judged for something.

My judgment: This is one of the best films of the year.

If you go into the theater expecting a fast-paced and thrilling episode of "Law & Order" on steroids, you won't get that. The courtroom scenes are exciting and nerve-wracking, certainly, but "The Judge" is about more than just a case. It's about a father and son, a family, a town, a past, what it means to come from something, and why it's important to remember and hold on to what matters most.

Tuesday, September 9, 2014

Review: Chef

A Cinematic Confection

By Chris Sabga



Release Date: May 30, 2014 – U.S.
Rating: R
Genre: Comedy, Drama
Running Time: 114 minutes
Director: Jon Favreau
Writer: Jon Favreau
Cast: Jon Favreau, John Leguizamo, 
Bobby Cannavale, Emjay Anthony, 
Scarlett Johansson, Dustin Hoffman, 
Sofía Vergara, Oliver Platt, Amy Sedaris, 
Robert Downey Jr.   


"Chef" is a film about relationships. A cook's relationship with his food. A chef's relationship with his staff. A father's relationship with his son.

Chef Carl Casper (Jon Favreau) controls the kitchen of a major Los Angeles restaurant, but he's not the owner – that distinction belongs to Riva (Dustin Hoffman), who's more concerned about what's in the cash register than on the plate.

Despite those difficulties, Casper has a great staff: his sous chef, Tony (Bobby Cannavale); his line cook, Martin (John Leguizamo); and his hostess, Molly (Scarlett Johansson). They're all fiercely loyal to him. They love him. So does his ex-wife, Inez (Sofía Vergara), and their 10-year-old son, Percy (Emjay Anthony).

A prominent food blogger, Ramsey Michel (Oliver Platt), is coming to the restaurant to review Casper's cooking. The chef wants to create a new, bold menu that will wow the critic's culinary senses. The owner disagrees. Keep everything the same, he says. "Play your hits!" Unfortunately, the chef's "hits" make him a tired nostalgia act instead of the vibrant visionary he used to be.

As Casper's boring molten lava cake bubbles over, so does his anger. A shouting match between him and the restaurant reviewer quickly becomes an internet phenomenon, and a mistaken public message on Twitter ignites a war of words.

Food is Casper's calling. If he gets a bit hot-tempered sometimes, it's because he cares so much about what he cooks. Like any artist, he's passionate.

But now he's also jobless – and there are no offers in sight.

Left with no other options, he reluctantly accepts his ex-wife's invitation to join her and their little boy in Miami for a week. It would be good for him, she reasons, to get away for a while and spend time with his son. Miami is where it all began for him: his culinary career, his relationship with her, and the birth of their child.

Inez urges Carl to consider opening a food truck. That leads to a meeting between him and her first ex-husband, a rich flake named Marvin (a scene-stealing Robert Downey Jr.). The off-kilter conversation between Favreau's chef and Downey's crazed character is one of the best and funniest moments in the film. Downey's presence amounts to little more than a cameo, but he makes every single second count.


Truly, all of the actors are fantastic. Favreau and Leguizamo share such an easy, natural rapport that it feels like you're genuinely listening in on two old friends. The same can be said for the love and pride Favreau's character feels for his boy; it just bursts through the screen. If I didn't know better, I'd think they were really father and son. Some of the best moments between them are the quiet ones – such as little Percy explaining to his dad how Twitter works, the concept of Vine's six-second videos, and what it means when a post "goes viral." Favreau is awesome as a 40-something-year-old who is behind the times technologically, and Emjay Anthony is heartwarming as the kid who just wants to spend time with his father "like they used to."

Once the food truck becomes operational, "Chef" turns into one of my favorite of all the genres: the road trip movie. This is where the film really shines. There on the open road, they talk, bond, take in the great sights (and smells), and discover new things about themselves and each other.

And then, of course, there's the food itself. Mmm Mmm! You will walk out of the theater wanting a second dinner.

"Chef" is not only a film about relationships, it's also about love. It was obviously a labor of love for Jon Favreau. In addition to being the star, he is also the writer and director. This is clearly a passion project for him – and it shows. He's taken all of the ingredients at his disposal and served us one of the year's best films.

Note: In "Chef," @ChefCarlCasper started a vicious "Tweet war" with @RamseyMichel that went viral. For a more pleasant and peaceful experience, you can follow me on Twitter @ScreenSurprises.

Bonus: Silver Screen Sister, the Second

I saw "Chef" with Silver Screen Sister, the Second. To preface this, I should point out that she's not usually the most attentive moviegoer. (For example: We watched "Black Swan" together – an unfortunate choice in retrospect – but she was too preoccupied with e-mails from work to notice anything "amiss" between Natalie Portman and Mila Kunis during one of that film's more infamous scenes. Thank God!) However, at the end of "Chef," she was absolutely giddy. So was I. She said it was one of the best movies she's ever seen. High praise coming from her, even if she has only seen nine or ten other movies. ("Coal Miner's Daughter" is still number one, in case you were wondering. Has "Willy Wonka and the Chocolate Factory" fallen to number three?)

"Oh my God, I have been smiling about that movie since we saw it. What a great experience. Thanks for getting me out of my draining work rut to see it. It was so worth it!

The line [Chef Casper] used – about not having a plan and never having made any steps without one before – reminded me of something I was thinking a few weeks ago:

Maybe sitting still is going to help me get where I need/want to be. It IS moving forward, but just not in a direction I have ever gone in…"

"Chef," she said, was "life changing" for her.

It's an easy movie to love. One cannot help but feel an infectious enthusiasm for it.