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Showing posts with label Vera Farmiga. Show all posts
Showing posts with label Vera Farmiga. Show all posts

Wednesday, October 15, 2014

Review: The Judge

Downey and Duvall – Court is Now in Session

By Chris Sabga



Release Date: October 10, 2014 – U.S.
Rating: R
Genre: Drama
Running Time: 141 minutes
Director: David Dobkin
Writers: Nick Schenk, Bill Dubuque, 
David Dobkin
Cast: Robert Downey Jr., Robert Duvall, 
Vera Farmiga, Billy Bob Thornton, 
Vincent D'Onofrio, Jeremy Strong, 
Dax Shepard, Leighton Meester, 
Ken Howard, Emma Tremblay, 
Balthazar Getty, David Krumholtz, 
Grace Zabriskie, Denis O'Hare, 
Sarah Lancaster   


Watching Robert Downey Jr. and Robert Duvall – two absolute masters of the acting craft – go back and forth would be worth the price of admission alone, but "The Judge" is so much more than that. It's a genuinely great movie. At two hours and twenty-one minutes, it's a long movie too. It earns its length though. Despite its extended running time, it's tightly scripted. Every conversation, every line, means something and leads somewhere. That might be the most impressive feat of all.

Hank Palmer (Downey Jr.) is a successful lawyer. He's also an unpleasant man – a trait he openly admits to and almost seems to take pride in. He hasn't seen his family in years, but when his mother dies, he's finally forced to go back home. His very young daughter (Emma Tremblay) wonders if his father – her grandfather – is dead too. "Just dead to me," he explains. Who speaks that way to a little girl?

When we finally get to meet the judge, Joseph Palmer (Duvall), we can clearly see that the apple didn't fall far from the tree. The elder Palmer isn't exactly "unpleasant" like his son, but he is stubborn and has a definite sense of right and wrong. There's no arguing with this man when it comes to the law and the very best way to apply it. So, of course, he ends up being accused of murder.

A local man, Mark Blackwell (Mark Kiely), is found rotting on the road. Judge Palmer's car has Blackwell's blood on it. The judge's possible motive: Blackwell came through his courtroom before, and it didn't end well.

The judge always been self-righteous about the law, but would he take it into his own hands to get justice at any cost? The opposing counsel, Dwight Dickham (Billy Bob Thornton), is ready to argue just that.

The elder Palmer initially hires a well-meaning but inexperienced local lawyer (Dax Shepard) instead of his own flesh and blood. But I don't think it's a spoiler to mention that the son will, of course, eventually have to step in and defend his estranged father in court – because that is, after all, the basic premise of "The Judge."

The scenes between Downey and Shepard are some of the best and funniest in the film. Instead of the adversarial relationship you would expect from their characters, there's almost a sweetness to their scenes as the more experienced Downey gives Shepard tips on how to handle stress before a big case.

The cast, as you can see, is tremendous – and I haven't even gotten to some of the main players yet. There are two more members of the Palmer family, Glen and Dale (played by Vincent D'Onofrio and Jeremy Strong, respectively), who are Hank's brothers and the judge's sons. Glen is old, disheveled, and rough around the edges, but he's generally a good guy. When we first see Dale, it's at a funeral home – and he's holding a camera, which seems incredibly inappropriate. I was under the impression that he was a rude reporter who had pushed his way in – until Hank gives him a big hug. As it turns out, Dale has a mental impairment of some sort – or possibly a form of autism – but it's never really specified.

In any other movie, a character with a "disability" would be treated like the second coming of Baby Jesus – someone who can say and do no wrong – but that's thankfully not the case here. To this film's credit, Dale's family reacts realistically to him. For example, during one tense moment, Glen dismissively comments on Dale's obsession with video cameras by telling him to "film the vending machine."

Hank – Downey's character – also runs into an old friend, Samantha (Vera Farmiga), whose prominent tattoo seems to hint at a wilder past. At first, I found it almost jarring that a prim, proper, uptight lawyer like Hank would ever associate with the tattooed girl from the diner. But that's what makes "The Judge's" script so smart – even the smallest details, such as a tattoo, tell a larger story.

The acting is amazing all around, but this is primarily a showcase for Robert Downey Jr. and Robert Duvall. Both of them wholeheartedly deserve Oscar nominations – and it wouldn't surprise me if Duvall, at least, ends up with one. Their best scene together – in a bathroom – is unimaginably tragic, but it also manages to be hysterically funny at the same time. Life is often like that. In lesser hands, a moment of that magnitude would be almost impossible to pull off. Old pros like Downey and Duvall make it look easy.

The title of "The Judge" refers literally to Duvall's Judge Joseph Palmer, but it also signifies every other character in some way – because they're all judging and being judged for something.

My judgment: This is one of the best films of the year.

If you go into the theater expecting a fast-paced and thrilling episode of "Law & Order" on steroids, you won't get that. The courtroom scenes are exciting and nerve-wracking, certainly, but "The Judge" is about more than just a case. It's about a father and son, a family, a town, a past, what it means to come from something, and why it's important to remember and hold on to what matters most.

Tuesday, May 27, 2014

Review: At Middleton

Maudlin Middling "Middleton" Saved by Strong Performances

By Chris Sabga



Release Date: January 31, 2014 – U.S.
Rating: R
Genre: Comedy, Romance
Running Time: 99 minutes
Director: Adam Rodgers
Writers: Glenn German, Adam Rodgers
Cast: Andy Garcia, Vera Farmiga, Taissa Farmiga, 
Spencer Lofranco, Nicholas Braun, Tom Skerritt, 
Peter Riegert


"At Middleton" – set on an idyllic University campus – is as pretentious and artificial as the college experience itself. Perhaps it's trying too hard to be like the French romances it so obviously admires. It tends to be too "cute" for its own good: Multiple characters overuse jokey words such as "feckless" and "dingleberry," and there are several scenes depicting ridiculous displays of exuberance while a loud piano score booms in the background. Among them: two people joyously running through a fountain of water, the sun shining down dramatically over them at the top of a bell tower, and others too silly to "spoil" here.

Like a professor, "At Middleton" has a serious message to convey and much to teach – but that doesn't mean you'll walk out with any greater knowledge or deeper insight. For adults with college-age kids, much time has passed and many regrets begin to mount. Lost in the minutia of life, it is easy for 40-somethings to forget how to live. Meanwhile, many 17-year-olds tend to feel the pressure-cooker of college looming. They think their lives are already over before they've even begun. The movie says all of that, but similar to most college courses, its lessons are pretty shallow and you ultimately won't learn much. "Middleton" is more "Medicine 101" and less "Fundamentals of Brain Surgery." It's the cinematic equivalent of a flu shot: skin deep and barely scratches the surface.

As the movie begins, Edith (Vera Farmiga) is taking her daughter, Audrey (Taissa Farmiga, Vera's sister in real life), to see the Middleton campus. While there, they meet a father, George (Andy Garcia), and his son, Conrad (Spencer Lofranco). During the tour, the parents get separated from the children. From there, George and Edith get to know each other. Together, they experience a magical day that brings them new hope, reopens old wounds, fills their eyes with fresh tears, and whatever other ridiculous maudlin sentiments this overblown script forces them to feel.

And yet, despite all of that, "At Middleton" is not without its charms...

Andy Garcia and Vera Farmiga sell the hell out of this middling material. Their incredible chemistry is almost enough to make it all work. Because of them, I can't bring myself to entirely dislike the film. I can recognize its flaws – of which there are many – but Garcia and Farmiga are undeniably great together. While the movie definitely belongs to them, the two kids are pretty damn good too – and there are a couple of memorable supporting appearances by veteran actors Tom Skerritt and Peter Riegert, both of whom are in fine form themselves. (Skerritt shares an explosive scene with Taissa Farmiga, while Riegert works wonderfully with young Spencer Lofranco.)

In the right mood, I could see myself taking another tour of "Middleton." It's far from perfect, but it does provide a fun time that feels good.